So Joan moves in and Audrey joins her in the luxury.
Joan has more dates with Tom and she continues to pretend to live at the Milford apartment,
unaware that Tom Baffle is really Tom Milford. On their next date, Tom and Joan go to the
same bar and Tom, plays along with her game, but is interested in his apartment and the
future of Harvey's paintings. He asks her about them, under the guise of being an interior
decorator. Joan says she may throw "her" paintings out, but Tom urges her not to.
After the date, Joan wants to see Tom's apartment, to avoid going to "her" apartment again.
He takes her to Harvey's, his bosses apartment.


Harvey walks in as Tom and Joan are kissing. He is tired and not at all pleased they are there.
But, when Tom tells him privately of the possible future of his paintings, and asks for a little
more time to find out how Joan got his apartment, Harvey lets Tom proceed with his plan
and goes to a hotel. Soon after that, Tom takes a tipsy Joan "home."


When Joan feels she cannot keep Tom from "her" apartment any longer, she takes Mr Milford's
clothes to pawnbroker O'Shea. Mr. O'Shea gets the impression Joan is an unwed mother.
Joan tells him that is not true, but he doesn't believe her. She asks him not to sell the
clothes causing Mr. O'Shea to think she believes her "husband" will come back.


With the money realized, Joan and Audrey feminize Tom's apartment. Among other things,
they replace Harvey's fine oil paintings with cheap prints. Tom is shocked at the transformation,
but still does not reveal his identity. After another date, the couple run into some of Tom's
friends, who want to go to his apartment. When Tom makes up another excuse why they can't,
Joan tells them they can go to "her" place. The party winds up at Harvey's, who stays
in his bedroom, very upset about his paintings.


To page five.

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